WWWINGS – A+G

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[ Self-released, 2017 ]

Let’s face it: the Russian/Ukrainian musical project WWWINGS emerged out out the blue, fueled by social media such as VK or Telegram and caught the musical world with their pants down. Move over, NYC; move over, London; move over, Berlin. You ain’t got shit on a bunch of Slavs from the outskirts of Russia whose minds are so deep into the Future they make top futurologists seem like fucking babies. They set the rules now and you just try to catch up. With A+G, the duo of WWWINGS present their super-eclectic blend of post-industrial, UK Bass, trap and IDM into a mass that is yet to be named: maybe it should be Future Bass? Maybe something else? Actually, who gives a shit? This is music from Beyond, pure and simple. You must listen to it to believe it. Highly recommended!

WWWINGS – PHOENIXXX

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[ Planet Mu, 2016 ]

Post-Soviet Hyperfuturism: WWWINGS is a trio of (post)electronic producers coming from the different regions of Russia and Ukraine who are pretty much leaving the rest of the musical world far behind. Hiding under the aliases GXXOST (also known as Lit Internet), AWRWSW (Lit Daw) and Lit Eyne, they seem more like a group of elusive hackers straight outta cyberpunk fantasies than actual musicians, juggling data packets and gliding through bleeping, cut-up sounds like digital ninjas. If Berlin acts such as Amnesia Scanner or M.E.S.H. provide a glimpse into the future, these guys are a fully paid, all-inclusive trip to the world of “unthinkable complexity”, to quote William Gibson himself. After listening to this album, who cares if it’s grime, post-industrial, or whatever else? It’s the Future, with a capital F. Highly recommended!